Jon Gosier: The Black Fintech Founder Transforming Film and TV Finance

For decades, film and TV financing has been a world reserved for a select few with deep connections to Hollywood’s inner circle. Jon Gosier, founder and CEO of FilmHedge, is determined to change that narrative, and he’s doing it from Atlanta, not Beverly Hills.

Launched in 2020, FilmHedge is a fintech platform that provides private credit of up to $25 million per production, creating opportunities for investors traditionally shut out of entertainment’s lucrative deals.

In just four years, the company has invested more than $200 million in film and TV projects, championing a model where access, innovation, and inclusion thrive.

“We wanted to make film and TV investing accessible and safe, especially for accredited investors who aren’t part of the Hollywood establishment,” Jon Gosier told Black Enterprise.

“Since launching, we’ve raised over $350 million and have financed more than 50 productions with a 100% repayment rate. Our partners earn between 15% to 20% on each deal—proof that you don’t have to be in Hollywood to make film financing work.”

Gosier’s journey into the entertainment industry wasn’t typical. After selling a tech company in 2017, he invested in the sci-fi film “Skylines” and was surprised by the speed and size of the return. “In tech, an exit takes years. But with film, I got my money and earnings back in just six months,” he said. That experience was a catalyst for building FilmHedge, a company focused on making film financing as straightforward—and as safe—as possible.

He’s also aware of the barriers that Black founders face in both fintech and entertainment. “The first barrier is always mental,” he said. “You have to believe you can solve problems, regardless of your background.” By putting up his own money first, Gosier was able to build credibility and attract institutional investors. “Protecting their capital was more important than just making it,” he added.

Gosier also challenges the common perception that film is too risky for investors. “Film is more like trade finance than tech. The movie is the product, the filmmaker is the manufacturer, and the buyer is a distributor like Netflix or Amazon. Once the movie is delivered, they pay us back. The risk is managed—often misunderstood by outsiders.”

Why Atlanta instead of Hollywood? Gosier sees his hometown as the next big player in the industry. “Atlanta’s film and TV industry is growing fast, and I wanted to be part of that momentum, building something new from the ground up.”

FilmHedge prides itself on ensuring equity and access for diverse filmmakers. “We’ve funded projects led by women and Black producers—over 40% and 20% respectively—and we’re open to both seasoned and first-time creators,” Gosier said. “Our financing criteria are consistent for everyone.”

Beyond individual productions, FilmHedge is having a broader impact. Many funded projects are shot in underserved communities, generating local jobs and economic development. “Film finance can uplift entire neighborhoods, not just celebrity filmmakers.”

For Black entrepreneurs looking to break into the worlds of tech, finance, and entertainment, Gosier has straightforward advice: “Learn to deconstruct the system. Understand how things work before you try to change them. Study the game before you make your move.”